January 21, 2008

‘C’est charmant. Mignon. C’est adorable’

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On the anniversary of the beheading of King Louis XVI, Polly-Vous Français remembers a date with “a very aristocratic Frenchman” that quickly soured when she giggled at exactly the wrong moment.

I was trying to express to him . . . what? That I thought the notion of praying for a king who’s been gone for over two centuries was a wonderful, old-fashioned thing to do. Like nothing I’d ever imagined, or heard of before. Sweet and different from my viewpoint. Alas, no amount of back-pedaling was going to get me out of this mess, for sure. It’s just that as an American, no matter how well-educated we are, to us—emotionally and spiritually—kings and queens are on a par with fairy tales. We’re breast-fed on democracy. I mean, think about it: in the U.S., to commemorate our dead presidents we have car sales in February. I couldn’t explain this to Hubert.

Today we in the States honor (sort of) a dead martyr of our own. Even here in Virginia.

UPDATE: Pushback from the Royalists: “About Hubert, it’s not about being well-educated or democratic, but respect and sensitivity to another’s culture. Your giggling was ignorant and rude. Maybe it’s time for some sensitivity training , or at least some behavior changes. Or maybe more doors closing! It’s time for me to stop reading your blog.”

IMAGE: Execution of Louis XVI

January 06, 2008

‘I’m dead. That sucks.’

From a posthumous blog post by Army Maj. Andrew Olmsted, who was killed in Iraq last week:

What I don’t want this to be is a chance for me, or anyone else, to be maudlin. I’m dead. That sucks, at least for me and my family and friends. But all the tears in the world aren’t going to bring me back, so I would prefer that people remember the good things about me rather than mourning my loss. (If it turns out a specific number of tears will, in fact, bring me back to life, then by all means, break out the onions.) I had a pretty good life, as I noted above. Sure, all things being equal I would have preferred to have more time, but I have no business complaining with all the good fortune I’ve enjoyed in my life. So if you’re up for that, put on a little 80s music (preferably vintage 1980–1984), grab a Coke and have a drink with me. If you have it, throw ‘Freedom Isn’t Free’ from the Team America soundtrack in; if you can’t laugh at that song, I think you need to lighten up a little. I’m dead, but if you’re reading this, you’re not, so take a moment to enjoy that happy fact.

January 02, 2008

‘That’s the joke of Iowa’

I’ve worked at newspapers in both Iowa and New Hampshire, but I think when it comes to “the full-on hokey,” Iowa has it much worse:

With the caucuses now two days away, all Iowa’s a stage, and all its men and women merely players. “That’s the joke of Iowa,” said Justin Berkley, an Iowa native and the bar’s general manager. “Everyone wants to picture us as an episode of ‘Hee Haw,’ sitting at the counter in the diner or out in the cornfield.”

For the most part, the locals—at least the politically active ones—play along. “The beauty of it is, the rest of the year, everyone will try so hard to be metropolitan, and for four weeks every four years we try darn hard to be hicks,” Berkley said.

His phrase for the Iowans’ playacting: “the full-on hokey.”

PREVIOUSLY: “Seldom has a people been less interested in spiritual self-expression and more concerned with hog nutrition.”

UPDATE: Quit being so elitist, you big-city journalists. Iowa is, in fact, “quirky” and “charming.” Oh, and its people dig their cars out of snow!!!

September 11, 2007

'We can't just stop leading our lives'

911reportartlarge

Six years ago, I was living in Maine and working at a paper. This is how I remembered 9/11 a few weeks after the event:

When the call comes in Tuesday morning, just after 9, I answer with my silly voice. C, however, is frantic. She is yelling about something she has seen on the “Today” show on her way out the door. “I never watch the ‘Today’ show,” she says, gasping for a breath. Then she recounts the eerie shadow of a jumbo jet tracing across the New York skyline and into the World Trade Center’s south tower.

I had been one sentence into a CD review. Now the Internet is clogged. Within an hour several of us are across the street at the Whig & Courier pub, where the owner is grim-faced and preparing to open for the day, and Dan Rather’s bewildered narration hums in the background. The anchor is judiciously refusing to confirm an Associated Press report that the north tower has already collapsed—it’s hard to tell from the camera angle—when the south tower disappears.

Silence swallows up our end of the bar the way thunder and ash have swallowed up lower Manhattan. Even Dan Rather just stares.

Summoned back to the office, I am all hellfire. “Bomb Afghanistan back to the Stone Age,” I authorize, to no one in particular. (Gen. Curtis LeMay had famously wished the same fate on the North Vietnamese in 1964, a fact I will remember only later.)

I e-mail M, who works uptown at Sotheby’s. She assures me she is safe. I confess that it is turning out to be a bad week to quit smoking and a bad week to have planned to surprise C in Iowa City. M replies:

i feel sick. don’t smoke by the way. for the first time in my life i’m glad we have a republican in the white house and i hope he bombs the shit out of those countries.

The remainder of the week is spent adjusting myself to the noise and the silence: the noise of the headlines (“Terror hits home,” scream both the Bangor Daily News and the Portland Press Herald), the noise of my own anger, the noise of the TVs, the radios tuned to NPR, the streaming video and strains of “God Bless America,” the noise of tears — and the silence that grips the office for days. Hardly anyone speaks.

Hardly anyone breathes.

From Iowa City, my friend S e-mails:

Life here has gotten weird after the terrorist attacks. International students were told by the International Student Advisors at Kirkwood College not to attend classes until the heat dies down. (Todd says he has a Middle-Eastern student in his class and things were very weird on Tuesday.) Sand nigger has become part of the popular vocabulary again. People are grumbling over the loss of the Iowa/Iowa State football game. “Welcome to Jerusalem” I heard a New Yorker say after the attacks. Maybe that’s true in the Gotham City, but here it’s more like welcome to Selma, Alabama. The local newspapers, like many other newspapers across the nation, have come out with special extra editions and regular editions with inflammatory headlines. Everyone seems to have turned into a news junkie overnight. Several people at work took off Wednesday just to watch the news over and over again.

Meanwhile, the president calls for calm. He says the United States will not be “cowed.” “Our responsibility to history is already clear,” he declares. “To answer these attacks and rid the world of evil.”

For the first time, the headlines scream war. I phone M, and she tells me that she is on Valium and unable to hold food down.

“It’s not necessarily an easy course [for newspaper columnists] to say let’s go to war,” National Review editor Rich Lowry tells the Washington Post. “It takes some righteous anger and conviction to say that . . . America roused to righteous anger has always been a force for good.”

British Prime Minister Tony Blair appears on television fighting back tears, though not all Europe is of a mind. Fintan O’Toole, a columnist for the Irish Times, observes: “For there is in American culture a fundamentalism no less strong than that of those who may have plotted yesterday’s carnage. The tendency to divide the world between the forces of God and the forces of Satan, the elect and the damned, is, ironically, one of the things that America shares with its most ferocious enemies.”

I decide to tell C about my plans to surprise her at the end of the week, a secret that until now I had guarded against very long odds. “Brendan, don’t come,” she says, sounding concerned and level-headed.

“I’m coming,” I reply, sounding anxious and pig-headed. “Things will be fine by the end of the week. And besides, isn’t there some kind of principle at stake here? We should be able to move about our own country, shouldn’t we?”

C scoffs. She’s not familiar with that particular principle, she says, but I know it’s less the principle than it is the need to move, to keep moving.

The president is back on TV. Referring to the terrorists still at large, he says we will “smoke them out.” He says, “We will rid the world of the evil-doers.” The network cuts to an interview with a man weeping uncontrollably over the loss of hundreds of his colleagues.

M is back at work and e-mails:

like everyone else i feel strange and sad and disconnected from what is happening even though it is so close by and evidence of what happened is everywhere. it bothers me how quickly there is nothing new to say, how trite we all begin to sound despite the fact that our world has been violently and irrevocably changed.

I copy her message and forward it to several of my friends, with a small addition: “My one thought is that we may be deceiving ourselves to say that our world has irrevocably changed. Other people understood that this was the world we all lived in. Just not us. Not until now.”

Replies my buddy W, a university rhetoric instructor:

right so. as in the commentary early on stating that this was the “worst act of terrorism in the history of the world.” a sentiment that “totally makes sense” to classrooms of 18 y.o. middle-class american kids. but one which might be argued by those who witnessed 250,000 dead in the Dresden firebombing, or Hiroshima, or Nagasaki, or Rwanda, or Stalinist Russia, or the Pogroms of Poland, or the Holocaust, or any indigenous population anywhere on the planet.

the shortcut of instant mythos cheapens our language, and such language devalues our humanity.

i do not lend my support to any act which kills innocent people, i do not need nor want innocents to be killed, maimed, molested in my name, in the name of my country, in the name of my dead countrymen and women. and certainly not in the name of a flag.

Along the bottom of the television screen stretch the words, in red, white and blue, “America United.”

Michael T. Klare is a professor of peace and world security studies at Hampshire College in Amherst, Mass., and the author of Resource Wars: The New Landscape of Global Conflict. In Salon magazine, he writes that “to win over peace-minded Muslims to our side in this struggle, we will, of course, have to show greater sympathy for their concerns. This includes, for example, the plight of ordinary Palestinians in the West Bank and Gaza, and the suffering of the Iraqi civilians who are denied basic goods and medicine due to the U.S.-backed economic sanctions. This need not entail a sudden about-face in U.S. policy, but would require greater public recognition of others’ pain and suffering. After all, we are now victims too—and this gives us a common basis upon which to ask for their assistance in a common struggle against violence and terrorism.

“I know that the calls for military action will grow in volume. And I share a sense of outrage against those who killed so many of our countrymen and women. But I want the campaign against bin Laden to succeed—both in a practical and a moral sense. Battle cries like that of Sen. Zell Miller, who called on the U.S. Thursday to ‘bomb the hell out of Afghanistan’ for harboring bin Laden, may make us feel momentarily elated. But in the long run, it is only the pursuit of justice that can secure a peaceful world.”

I never tell my mom that I had, for a time, planned to fly to Iowa. When she calls on Saturday, she lets me know that Dad, who had been delayed for days in D.C. on his way back from a vacation in Ireland, has finally flown out of Dulles.

“The airport was deserted,” she reports. “The plane was half-empty, so he got bumped up to first class, which he enjoyed.”

Was he nervous about flying? I want to know.

“That man,” she scoffs. “He’s crazy. He said we can’t just stop leading our lives. I said, ‘Tom, yes we can. We have to.’”

IMAGE: From The 9/11 Report: A Graphic Adaptation by writer Sid Jacobson and illustrator Ernie Colón

August 11, 2007

Scott Beauchamp Would Blush

Wjap06

“If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie,” Tim O’Brien famously wrote in The Things They Carried. “There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.”

By this definition, E. B. Sledge’s memoir With the Old Breed is as true a war story as anyone will ever have the courage to write. In it, the Marine Corps veteran recounts scenes on Okinawa too obscene for any newspaper. In fact, he writes, “They were too horrible and obscene even for hardened veterans. . . . It is too preposterous to think that men could actually live and fight for days and nights on end under such terrible conditions and not be driven insane. . . . To me the war was insanity.”

I don’t normally read literature (and memoirs are literature) so didactically. But Sledge needs to be read and reread in an age where stories from the Iraq war—stories that are gentle, even civilized, by comparison—can cause an uproar and provoke overheated charges of disloyalty (see the Scott Beauchamp affair at The New Republic). Yes, war is hell. It’s easy to pay lip service. But what does that mean?

Go read Sledge and find out.

PREVIOUSLY: Tim O’Brien is full of shit & psychobabble.

IMAGE: A US Navy lieutenant makes a mascot out of a Japanese skull.

July 15, 2007

On the Korean Gaze (It's Really Fucking Foreign)

Dprk13

Dprk22

Philippe Chancel’s photographs of North Korea promise “a place not frozen in time, but outside of time, a place, litteraly, like no other on earth” [sic]. A woman in traditional hanbok (or, in North Korea, choson-ot) is faceless, except for her Kim Il Sung pin. His is the only face that matters. Reminds me of the graphic novel Pyongyang by the animator Guy Delisle, which I reviewed a year or two ago.

Delisle peppers the narrative with enough history and politics to orient the non-expert reader. He doesn’t claim to be an expert himself, and he’s best when noticing what only an animator would: for instance, that the omnipresent framed photos of Kim Il Sung and his son, Kim Jong Il, are slightly wider at the top than at the bottom. This, he tells us, is to prevent glare, but it “also intensifies the gaze in this face-to-face encounter.”

That’s what makes this other photograph so powerful: the man’s face, the aversion of his gaze. It provokes something the hanbok can’t: empathy. From another review I published several years ago:

Meanwhile, our ignorance of Koreans—both north and south of the DMZ—rivals only our ignorance of Afghans and Iraqis. In his grouchy but outstanding1997 history, Korea’s Place in the Sun, Cumings argues that in order to understand Koreans, an act of empathy is required. And in order to achieve that, “we should try—temporarily—to disabuse ourselves of American assumptions that get in the way of knowing, of seeing, a truly different society.”

This, of course, is easier said than done. After a year’s experience there, I can testify that Koreans are, to quote P. J. O'Rourke, “really fucking foreign,” and they see us in the same way.

IN ADDITION: “No Motherland without You” [Mp3]

FAQ NO. 582: Brendan, as we gaze at the North Koreans not gazing back at us, what are the Lacanian implications of said gaze, especially where it is, you know, at its most fucking foreign?

A: Good question. As someone else helpfully wrote, “at the heart of desire is a misrecognition of fullness where there is really nothing but a screen for our own narcissistic projection. It is that lack at the heart of desire that ensures we continue to desire.”

May 19, 2007

Oh Mother, the Handsome Man Tortures Me

Choubi

At Healing Iraq, I happened upon these lines from “A Stranger by the Gulf” by the Iraqi poet Badr Shakir Al-Sayyab:

Yesterday, as I passed by the café, I heard you Iraq . . .
You were a spin of a record
This, the spin of the cosmos in my life—it rolls time on for me
In two moments of tranquility if it has lost its place
It is the face of my mother in darkness
And her voice,
They glide with the vision until I sleep
And it is the palm trees that I fear if they grow dim at sunset
Crammed with ghosts snatching every child
who doesn’t return from the paths,
And it is the old woman and what she whispers about Hazam

This put me in mind to listen again to my collection of Saddam-era Iraqi music, Choubi Choubi (released by the small Seattle label Sublime Frequencies). It’s wonderful music, although I’ll admit that I bought it for the novelty. I did not actually think I would like the music as much as I do. The liner notes explain that the tracks were collected from cassettes and LPs from Syria, Europe, and even the Iraqi neighborhoods of Detroit.

“There are many reasons why Iraqi music stands alone in the dynamic world of Arabic music,” the folks at Sublime explain, “[and] one example is the unbelievable rapid fire machine-gun rhythms fluttering atop the main tempo. This is the work of a unique nomadic hand drum called the Khishba—also known as the Zanbour (Arabic for wasp).”

You’ll definitely hear that on these two cuts, in particular “Oh Mother, the Handsome Man Tortures Me.”

An ironic title, that. Especially these days. And especially after reading this bit of biography about the poet Al-Sayyab, who died in 1964:

Often homeland and mother are evoked in unison, or as two aspects of the same—irrevocable—sense of security. In a belated elegy for Al-Sayyab, Syrian poet Mohamed Al-Maghout referred ironically to this dual obsession of the poet’s in the context of reflecting on Arab cultural and political demise—wrapping the traffic light in a headscarf and calling it “Mother,” building the model of a country out of empty matchboxes and rubbish to call it “Homeland.”

So much despair in the world. Yet Choubi was designed for dance!

Segue BezikhArtist Unknown [Mp3]

Oh Mother, the Handsome Man Tortures MeArtist Unknown [Mp3]

ADDITIONALLY: The Kronos Quartet performed “Oh Mother, the Handsome Man Tortures Me” last year on the fifth anniversary of 9/11. You can find the notes to the concert here. I would have liked to have been there.

PREVIOUSLY: “Imagine, if you will (and, basically, you can’t), the Mormon Tabernacle Choir under the direction of a particularly strident Lawrence Welk, forcing maximum possible fervor from every note. Now, add some reverb.”

May 07, 2007

Speaking of Things That Suck

According to Michelle Malkin: “Death threats and misogynistic epithets and comments suck.”

True that, Michelle. But where can we send such people?

“Rotten Cocksuckers’ Ball”The Clovers [Mp3]

April 26, 2007

Paying Our Disrespects (On Confederate Memorial Day)

Chancellorsvillebattlefield

How many springs have gone since they
Who wore the uniform of gray
Last looked upon the summer snow of dogwood, blooming below
Blah blah blah . . .

Nothing like starting the day off with some bad poetry. In this instance, it’s “Poem for Confederate Memorial Day” by Oliver Reeves. The holiday is celebrated today in Alabama, and it seems appropriate that the Wiki page on the subject is flagged: “The factual accuracy of this article is disputed.”

Go figure. The Civil War is still being disputed. Just last month, a Florida chapter of the Sons of Confederate Veterans rallied outside a Tallahassee museum to protest “The Proper Way to Hang a Confederate Flag,” an installation by artist John Sims. (FYI: “if you don’t want to fuck john sims, you have issues.”) Apparently it is illegal in Florida to “mutilate, deface, defile or contemptuously abuse” the Confederate flag. Of course, Sims was not abusing the Confederate flag; he was abusing the Confederate memory. “What [Sims] does is really not art,” one of the Sons told The New York Times. Kind of like Oliver Reeves’ poem, only different, I guess.

Anyway, it’s a great time to have a blog called Civil War Memory. Kevin Levin, a history teacher in Virginia, recently took his students on a field trip to the Chancellorsville battlefield. In a long post, he works through various questions having to do with Park Service representations, questions about race, and the “morality” of Sherman’s March

What I mean to say is that I have absolutely no interest in any type of moral vindication for either side. I am pleased that slavery ended as a result of the war, but I have no interest in any moral identification with the men on the battlefield or with the civilian leaders in Richmond and Washington, D.C. As a historian my primary interest is in better understanding why events transpired from as many perspectives as possible. I am not psychologically wedded to any assumptions about the relative goodness of Southerners vs. Northerners, but I am fascinated by people who do. You can see it in people’s expressions when they leave the realm of history to another place that is more about their own personally constructed ideas about what happened and what it means that it happened. While I admit to finding the language and tone worth dissection it is not from the perspective of a historian, but as someone who is interested in the ways we become emotionally invested in our ideas of the past.

It’s an interesting thing to be interested in, I suppose, but not too many of us are able to share in his detachment. Ask all the reenactors out there—and they really are out there. “There’s a mystical element to reenacting,” I wrote last year. I don’t get it, mind you, but it’s there. “These guys—the hardcore ones, anyway—know their history chapter and verse. But it’s micro-history. They know their shirt buttons. The real answers—whatever those are—can’t be found in shirt buttons I don’t think.”

I do think that once in awhile they might be found at Civil War Memory.

PREVIOUSLY: On Bruce Catton, Angry Alliterations, Tissues of Untruths, and the Periodic Usefulness of First-Degree Mythmaking (Despite Living in a World with Jessica Simpson)

IMAGE: A scene from the Battle of Chancellorsville as published in Harper’s Weekly on May 23, 1863

April 24, 2007

Whatever You Can Do I Can Do Better

In the wake of the Virginia Tech murders, South Korea is doing some soul-searching. Here is The Hankyoreh newspaper on how Korea and America are alike in the way they treat immigrants:

Kim Yun-jae, a lawyer who emigrated to the U.S., said, “Most Koreans see the [Virginia Tech] tragedy as a cause for shame and guilt, instead of considering it an incident caused by structural problems in American society. In light of this attitude, most Koreans are likely to treat immigrants and naturalized Koreans in the same way [they treated the Cho incident],” he added.

To wit:

A 30-year-old foreign woman, who gained South Korean nationality last year after leaving her home in a central Asian country to marry a Korean, wept on April 20 as she talked to a Hankyoreh reporter. Her bloodshot eyes were mixed with anger and chagrin. Her anger centers on how her 10-year-old son is treated in school, where he is a third-grade elementary student. “Fourth and fifth grade students beat my son because he is different in appearance. Despite my appeals to the school, the matter hasn’t been resolved.” Because of the matter, she transferred her son to another school, but the situation did not change. “My son is scared of going to school,” she sighed.

MEANWHILE: The Koreans have expressed shame and apologized for the Cho Seung-hui’s actions, causing more than a few Americans to wonder, WTF? Language Log explores the “interaction ritual” of saying you’re sorry.

어서오십시오!

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